The Paul McGann conspiracy!

[I wrote this a very long time ago, and never finished it. Here's what I wrote... enjoy!]

Paul McGann: The Conspiracy
IS PAUL DEAD???

by Dom Kelly.

Foreword
Is Paul McGann dead?

Some would say, “Of course not, don’t be stupid, never write anything like this again and I’ve booked you in for a lobotomy next week”, others would say, “How could you say that?! You made me think he was dead! You barstard!”, while the rest would likely say, “Paul who?”.

Indeed; Paul who. Paul McGann portrayed the Eighth incarnation of the Doctor, the title character in the popular BBC science fiction show Doctor Who. Or did he? Startling results and patterns have arisen from weighing up all the evidence presented in his numerous adventures, whether in the medium of film, CD, book or comic strip. There are intriguing plot threads picked over with this particular Doctor, which when combined portray a shocking truth that the writers of those media are trying to push through subliminally: Paul McGann is dead.

Yes, this is another “Paul Mc(insert name) is Dead” conspiracy. But unlike the Beatles’ album “clues”, the clues presented in Doctor Who towards Paul McGann’s death are much more revealing and believable. Are you game enough to accept the truth? Or will you cast this conspiracy away in the junk pile of supposedly fake conspiracies? If so, I declare you’re an alien that faked the landing on the moon, shot John F. Kennedy on the grassy knolls... in fact you’re Silver Nemesis.

Paul McGann too had a nemesis. A nemesis closer to home than he would have suspected. Mainly because his nemesis was... no, you’ll find out.

Ladies and gentlemen, allow me to take you through a journey. This book is like a TARDIS: it’s bigger on the inside than the outside, unless you bought it in hardcopy edition, and it contains many secrets. Many shocking secrets. If word gets around that I wrote this, please protect me. Paul McGann’s killer will do anything to keep this quiet.

So on a journey to unearth the numerous clues and finally reveal the man who killed Paul McGann, we must first dematerialise towards the end of the “classic” series of Doctor Who.

The Old Testament
1989. The McCoy era in particular. After 26 seasons on British television (and other less significant countries’ television), Doctor Who was finally dead and buried. We hadn’t seen the Doctor die, but with the death of the programme, this surely meant the death of the Doctor himself.

But you can’t keep a good man buried. Much like Paul McGann. A side note: both McCoy and McGann have a last name that begins with “Mc”. This may seem like a coincidence, but consider that Paul McCartney too had a last name just like that.

The McCoy Doctor was Doctor No. Seven. Seven, as many might know, is a very magical number. It is associated with many different religions, including Christianity. It is also the number of days in a week, and the McCoy era ironically started with Season 24, which is therefore 24/7. A coincidence? Hardly. The power of the number 7 to do with Christianity is also important that the Doctor has 13 lives – 13 being the superstitious number (and Season 26 is double 13), and Judas betraying Jesus. In this case, there was indeed a Judas that betrayed a Jesus, though this time the Judas did not hang himself, but wore the skin of Paul McGann in a metaphorical-Texas Chainsaw Massacre.

The number 7 is also important if you consider that Jesus fed the people with five loaves and seven fish. 5 and 7 are important numbers, because, although John Nathan-Turner (usually known as JNT) was first producer at the end of the 4th Doctor’s reign, the 5th to 7th Doctor’s reigns are the “controversial” period of Doctor Who, with, allegedly, the following: lame companions, badly realised Doctors, terrible scripts and yawn-worthy effects. This is not an argument that is relevant here. But there was one aspect of JNT’s new direction that stayed consistent with his Doctors and annoys many fans to this day: question marks.

The 4th, 5th, 6th and 7th Doctors all have question marks located on their lapels, their jumpers... the 7th Doctor even had a question mark umbrella. In fact, they grew more prominent as time went on. Many are under the impression that this was JNT’s lame attempt at creating mystery in the character of the Doctor, when really all it did was make him into a brand.

But was this the true reason for the question marks?

The question marks were a symbol, yes, but not of the mysteriousness of the character of the Doctor... but of the future event that would lead to Paul McGann’s death.

The classic series of Doctor Who was a prophecy. The Old Testament, if you will.

In Christianity, the Old Testament often foretells a future messiah that would come to save the world. Paul McGann was going to be the Second Coming, the saviour of Doctor Who as a series – but unfortunately, whilst this did happen, he died in the attempt.

The entire series was obviously prophetic. Consider the founder of the series – Sydney Newman. “New man”. A new man took over Paul McGann’s role when he died. Warp the posters for the TV Movie, “time waits for no man”, and you get “Time waits for new man”. No man – the McCoy Doctor, when he was continued in Virgin’s New Adventures, is generally distinguished as the NA Doctor. NA – an acronym which points to the “no man” theory. Consider also the name of the publishers – Virgin. The Virgin Mary, perhaps? The Virgin New Adventures were a continuation of the Seventh, “NA” Doctor, until the time – time waits for no man – when the prophecy of Paul McGann’s death, his death to save us all, would tragically take place. They are, as the first Eighth Doctor printed novel was known, “The Dying Days”.

But let’s go back to the beginning. Back to 1963.

1963 was a momentous year. A meme, a cultural icon, was bubbling beneath the surface. An icon that would shape British culture for generations to come. And it would start in that very year. It would start on the 23rd of November.

But tragedy struck the beginning of Doctor Who, too. The day before the show went to air, on the 22nd of November, the President of the United States of America, John F Kennedy, was assassinated. Popularly known as JFK (JFK, JNT. Coincidence?), his death has been blamed on many. Another conspiracy that is linked indefinitely to Doctor Who. Not only was JFK killed, but his brother was to be shot later down the line as well. Could this have been used as a metaphor for the prophecy of Doctor Who? In the 7th Doctor story ‘Silver Nemesis’, the script informs us that the so-called Silver Nemesis was responsible for the death of JFK. JNT was obviously making a link here. Consider also that an airport was named after JFK after his death – and JNT desired to use aeroplanes in the story ‘Time-Flight’. ‘Time-Flight’ is an episode that contains many secrets too, but I will get to these later. Suffice to say that JNT decided to hint at the truth to the fans with the story ‘Silver Nemesis’... to give an explanation for what was to come later, in 1996, with Paul McGann’s death.

Consider also that, when David Bishop tried an alternate explanation for the death of JFK under the publishing eyes of Virgin, his novel was indeed published but left out of Missing Adventure lists. A rejection of a disciple of Doctor Who who tried to tell a falsehood? A non-believer?

And also rather interestingly, the script that precedes ‘Silver Nemesis’, ‘The Happiness Patrol’, is written by Graeme Curry. Curry is the favourite food of space bum Dave Lister in the series Red Dwarf. In the episode ‘Tikka to Ride’, the Dwarfers go back in time and prevent the assassination of JFK. The result of this action isn’t actually as good as one might think. Could it be that the writers of Red Dwarf, Rob Grant and Doug Naylor, had in fact been informed of the truth from fellow sci-fi writers? Perhaps the episode ‘Tikka to Ride’ is in fact intended to continue the metaphor, with the death of Paul McGann being conceived as a good thing in most respects? That had he lived, the world may not be such a wonderful place? This isn’t entirely unbelievable. Steve Lyons, a Doctor Who author, also wrote the Red Dwarf programme guide. And in the Red Dwarf Omnibus book, extra bonus material at the end contains an idea that the writers of Red Dwarf rejected – a comedy series where people travelled in time and space via a police box. Evidently their lives have been touched by the programme. Perhaps ‘Tikka to Ride’ is a reflection of this? So too, it must be said, would be Douglas Adams, who is famous for writing The Hitchhiker's Guide to the Galaxy, but is lesser known for his role as script editor on Doctor Who. Intriguingly, his story ‘Shada’ was unfinished and later recreated through audio by Big Finish Productions – and this time starring the Eighth Doctor, the supposed Paul McGann, who like Tom Baker is a Scouser (from Liverpool). Also note that his stint as script editor began with ‘Destiny of the Daleks’, where an exchange between Romana and the Doctor goes something like this: “Romana, you can’t just take someone else’s face”. And yet someone took McGann’s...

A final point, for future discussion: Romana is a derivation of the Romanovs, a Russian royal family who all died of blood problems. Keep that firmly in mind, because the idea of family will become very important later on.

So where does this leave us? Jonathan Morris (who incidentally is a huge fan of The Hitchhiker's Guide to the Galaxy) may be leaving us a clue in his Eighth Doctor book, ‘The Tomorrow Windows’: he introduces the audience to the idea of a meme, a sort of cultural idea that spreads and grows. Doctor Who itself could be considered such a meme. It is therefore not unreasonable to claim that writers such as Adams, Morris, Grant and Naylor were so firmly entrenched in the British science fiction scene that they too have been touched by the prophecy of Doctor Who.

Doctor Who began with its first story, ‘An Unearthly Child’, the night after JFK’s death. Since audiences were at the time too shocked from his death to really watch the program, the BBC repeated it the following week. Why? Because they had to. Audiences had to watch it. It was absolutely essential.

‘An Unearthly Child’ is the first indication of the prophecy, though it’s quite subtle in the way it presents it. The story is remembered for its first episode mainly, but the rest of the story is more important symbolically: the Doctor, after all, meets cavemen. How interesting, considering that they start in the beginning, with the first signs of man – as the Old Testament does in Genesis. Ian and Barbara play very much the role of Adam and Eve in this story, too – tempted by the Doctor and Susan to learn more about the universe than they thought they ever would need to. And the cavemen themselves bring home a sort of Cain and Abel motif... which will become very important later on in this conspiracy.

But there is something more shocking buried at the heart of this episode: the idea of the junkyard, 76 Totters Lane. This lane would become a very important street name for fans of the series – but so too would Abbey Road for the Beatles fans...

Consider the links between this show and the Beatles. There is the entire Paul McCartney conspiracy, obviously, but legend has it that upon hearing the Doctor Who theme realised by Delia Derbyshire at the BBC Radiophonic Workshop, the Beatles paid her a visit. To be influenced by her musically? Possibly. But is it also plausible that they met to find out the prophecy, and became keepers of the flame? Have you ever considered that the Paul McCartney conspiracy may in fact be simply another factor of the Paul McGann conspiracy, and that McCartney isn’t dead, but was used as a metaphor for the man set to die?

The Beatles - Part of the Conspiracy?
Many fans of the Beatles have subscribed to the “Paul McCartney” is dead theory, based on numerous evidence and clues given throughout the albums. Yet is it possible that all of this was indeed a metaphor for the future, far greater death? Did the death of musical genius John Lennon also have something to do with Doctor Who?

It’s entirely possible. As has been cited elsewhere, messages such as “PMDies” and “Turn me on dead man” in the song Revolution 9 (Ninth Doctor?) are perhaps masking a greater conspiracy. But evidently this is all symbolic, and is indeed talking of Paul McGann’s tragic death in 1996. Is it possible that the creators of Doctor Who in the 1960s knew the name of the man to die? And that the Beatles took that name and used it ironically because of the similarity with Paul McCartney’s name?

This isn’t as farfetched as it sounds. As the Eighth Doctor says in the TV Movie, “The universe is built on a myriad of coincidences!”, advocating that coincidences like this do happen.

...

(LIVE AND LET DIE, Paul McCartney; Roger Moore starts a year before Tom. Coincidence?)

The previously mentioned Jonathan Morris, who wrote ‘The Tomorrow Windows’, describes that book as his very own Abbey Road. He says that this is because it's an explosion of ideas. But Abbey Road is famous for the Paul McCartney conspiracy – apparently “LM” weeps. Many have thought this was Linda McCartney. No. I will return to this in the future, as we delve back into the series...

The Old Testament Part Two
So the series ploughed on, forever wallowing in its own subtext. The Doctor is supposed to be a mystery, yet he is always plagued by his family. First there was Susan (although ‘Lungbarrow’ later shrouds their relationship in doubt), then – even though the Time Lords were not revealed in full until the end of the 2nd Doctor’s era – we had the Meddling Monk make an appearance too, as a counterpoint to the Doctor and the first indication of “family”.

An early important episode to consider is ‘The Aztecs’. How does this fit into this conspiracy, I hear you cry? You’d be surprised. First of all, the Doctor says that history cannot be rewritten, not a single line. Later stories contradict this, but why? What is it with paradoxes in Doctor Who? Secondly, the Doctor found love in this story – as he later did in The TV Movie, McGann’s first outing as the Doctor (or so we all thought). And thirdly, and tied into this theme, we have the heart.

Hearts – Plural
It has been told many times that the Doctor has two hearts. Does this mean he is capable of more love than others? If so, why is he so alien and usually indifferent or afraid concerning sex?

In The TV Movie, it is shoved down our throats that the Doctor has two hearts. “Two hearts”, many of the nurses say, including Grace. The Doctor later says, “Please, I have two hearts” and “Hearts – plural”.

The Seventh Doctor is shot in the chest, but basically in the region of the heart. Then when someone tries to operate on him, he dies and regenerates. There is still a stethoscope in his heart though, which he pulls out. But his heart itself is later pulled out.

In the book ‘The Adventuress of Henrietta Street’ by Lawrence Miles, part of the BBC EDA (Eighth Doctor Adventures) range, a man named Sabbath performs an operation on the Doctor and removes his heart to save his life. Is Miles providing a deliberate counterpoint to The TV Movie here? His heart has been poisoned and had to be removed.

Previously the Doctor had been travelling in the books with a companion named Samantha Jones. She fell in love with him – could this be the reason for his poisoned heart (this is all metaphorical of course)? Sam was also notable for her pacifistic nature and her hippy ways – a sort of “make love not war”. The Doctor seems to be swung to that viewpoint increasingly during his eighth (and eventually ninth) incarnation, starting to find true love and having compassion for each and every person, which often leads to his downfall. A huge metaphor – love can sometimes blind (‘Seeing I’) our senses and lead us into traps.

They are then joined by Fitz Kreiner. Bizarrely, not only is Fitz from the 60s, the era of hippy love, again reinforcing this subtext, but he’s a great fan of the Beatles! As if that wasn’t suspicious enough, he doesn’t like the solo stuff – in other words, he doesn’t care for what Yoko Ono did for the band. What she did was introduce love for John Lennon – who would later be killed. Paul McCartney of course found love too with his LM (the answer to this lies at the end of this mini-section), though he too is rumoured to be dead...

After ‘The Adventuress of Henrietta Street’, the Doctor keeps remeeting Sabbath and confronting him on his opposing views concerning time. Sabbath says that time must run its course in a straight line and the Doctor argues the case. Consider this is the Doctor based on the killer of Paul McGann, then this makes perfect sense – Sabbath is the original, Paul McGann himself (although the descriptions are obviously different – would they want to give the game away so obviously?), who is arguing that really he should have had a shot at being the Eighth Doctor. “The Doctor”, or McGann’s killer, is arguing that time can change to suit his needs. This predilection of time will become important later on.

Fitz and Anji, the Doctor’s companions at this time, often remark on how up himself Sabbath is and how he really is probably some skinny geek dressed up in important clothes that aren’t his. If we consider this now from the perspective of reversing the roles and Sabbath being McGann’s killer, this makes sense.

Then in ‘Camera Obscura’, the Doctor discovers that his heart – blackened now – has been placed in Sabbath’s body, meaning that they are now connected spiritually. When the Doctor dies, Sabbath dies too. They are linked, and if we keep the angle reversed and assume that the Doctor is now Paul McGann in this argument, his death haunts and kills Sabbath inside. Sabbath eventually gives the Doctor back his heart, which could mean that the killer has come to terms with the death, or is taking over entirely from Paul McGann, depending on your point of view.

And isn’t Sabbath just the most religious name ever? There’s no explanation for it in the books. If Paul McGann was, for all intents and purposes, Jesus, then this is the reason for Sabbath’s seemingly unrelated name.

If we cross over to the audios, we begin with ‘Storm Warning’. Incidentally, since the name of Sabbath’s ship was the Jonah, it is slightly indulgent that the Doctor says in this story, “Now why am I reminded of Jonah in the whale?” when he’s in the R101 airship.

This audio introduces Charley Pollard. There are two important factors to Charley – the first, important one here is that she falls in love with the Doctor, and – would you believe it! – the Doctor falls for her. If Charley represents blindly loving someone despite what they’re capable of, then what about the Doctor this time reciprocating? What could that signify? The answer, I think, lies in the fact that the Doctor doesn’t learn to love her until after – as sick as this sounds – he’s learnt that she’s supposed to be dead. In other words, the Doctor feels love and compassion for someone who has passed on – just as McGann’s killer must be wracked by guilt over killing Paul McGann.

Charley, it must be said, is the antithesis of Paul McGann. She’s alive when she’s supposed to be dead. This causes all sorts of problems with time. However, the Master was supposed to be dead in The TV Movie, and this metaphor of undead killers impacting the Doctor/Paul McGann is somewhat prominent.

The audio where Charley declares her love for the Doctor is ‘Neverland’. Yes, that’s right, another example of the “nothing” metaphor being used here. Non-existence. Death. Shortly after, the Doctor and Charley enter a universe of anti-time – but Charley wasn’t supposed to come, just like the killer wasn’t supposed to be Doctor no. 8. When the Doctor realises Charley has betrayed him, he refuses to believe it, saying “No, Charley wouldn’t do that...”, just as there is no way Paul McGann would have believed, if he had of been told beforehand, just who would end up killing him. When he finally comes to accept that Charley is with him, and she again tries to tell him that she loves him, the Doctor rejects her love – Paul McGann has seen the light. In the afterlife, he’s no doubt realised that he was betrayed...

In the more recent audios, with Charley no longer in sight, the Doctor is accompanied by a girl known as Lucie. Lucie Miller.

That’s right. LM Weeps.

[...now, I never got around to revealing the killer. But... if you understood everything that's been said so far, then it shouldn't be too hard to work out who it is. The Master is, according to lame fan theory, the Doctor's brother. And the Master tries to steal the Doctor's lives in The TV Movie.

In other words, it's Mark McGann. :P

Funnily enough about the Lucie thing, her recent Zygon story has a family member being killed and replaced with a Zygon wearing their skin. Had I bothered to set up this conspiracy as an ongoing tirade of clever-silliness... it would've fit in!]